gay

the entire genre of music that you tie yourself in is bad and sucks and is stupid and dumb

tastelet :/

you don’t even know what music i write shithead

you think I was talking to you

yeah pooface

you fucking slackjawwed retard

what about it

huh?

fuck you, may you and your children be cursed with impotence

already am bucko

life will get easier later in life friend

😦

ok shitposting aside polyphonic sound mass composition is fucking cool and i’m probably going to write more for it. i’ve only worked on a string quartet and part of a solo piano work but i may write one for chamber orchestra later on.

can you even spell polyphonic?

i just did

I... dont get it...

dont worry you will when i’m considered the arnold schoenberg of the 21st century 😎

here's some gay shit I wrote a while back https://soundcloud.com/dongs/string-quartet-movement-3

one of the songs on my next album

i dunno buddy, if you’re not releasing it in 24 bit lossless i aint interested

mp3? nah

those are for discord

8 mb limit

get discord nitro so you can post your music in DSD256

😎

not giving discord money

Inspired by Big Clyde

@Dong your harmonic progression is kinda janky and meandering. parts that aren't very interesting get repeated. also the rhythm alternates between being straight and jarring, it's never quite graceful enough to fit the implied harmonic connotation.

basically it sounds like you had a rhythmic idea and wrote some generic progression to go with it

timbre wise it's also really monotonous, you need dynamic and/or tempo shifts to make things interesting. unless you have a damn good harmony or melody you need things to sound expressive instead of robotic.

>basically it sounds like you had a rhythmic idea and wrote some generic progression to go with it
this is what I do a lot of the time , just come up with a rhythmic idea and then do voice leading around it

how can I transition better from straight to jarring? any good pieces that are an example of that?

it's not so much the straight to jarring that's the issue as it is the melody you've written around it that doesn't make sense

there needs to be some level of synergy between the two and that's missing here

also generally speaking for polyrhythms i wouldn't advise writing them for strings. they're not quite rhythmic enough for the rhythm to come across well. look into 60's minimalism for some ideas for what kinds of ensembles work well with rhythmic stuff.

yeah, I'm just working with vst instruments and basing what I do on the sound I get out of them

I realize it may not transfer well to actual playing

at least at that speed

yeah the real pain in the ass with writing music from a composer's POV is making it actually easy to play for the performer