Message from @Beemann

Discord ID: 533485377055358995


2019-01-12 03:15:35 UTC  

Can this not become some super high number message debate? I don’t want all the notifications

2019-01-12 03:15:52 UTC  

Rock Lee is an example of a character that has growth and an actual set of challenges. He has nothing but effort and gets fucked for it. He Mumen Rider's through it

2019-01-12 03:15:57 UTC  

Mute?

2019-01-12 03:16:11 UTC  

No. Just take it to dm.

2019-01-12 03:16:30 UTC  

I'm not tagging you... why do we have to move

2019-01-12 03:16:38 UTC  

Get a room.

2019-01-12 03:16:41 UTC  

Other people can't hop in in DM, just mute general

2019-01-12 03:16:43 UTC  

Is ez

2019-01-12 03:16:59 UTC  

General chats are always the first ones I mute

2019-01-12 03:17:09 UTC  

Sargent at arms says get a room.

2019-01-12 03:17:24 UTC  

Feel free to do the same.

2019-01-12 03:18:10 UTC  

Before this degenerates into something stupid, Beemann is right that writing structure must have stakes and risks in order to tell a compelling story. As much as writing is art, it is also a science

2019-01-12 03:18:32 UTC  

Since it is art though, there are various types of ways of going about it

2019-01-12 03:18:38 UTC  

Kind of like baking in a way

2019-01-12 03:19:02 UTC  

@SteelandSouls no. Bad boy. I slap you. Lol

2019-01-12 03:19:13 UTC  

Anyway, what makes a story good is having the character overcome obstacles and grow as a result. The overcoming part is key. There needs to be a struggle
Inuyashiki does this well - the MC is nigh invincible, but struggles with his existence, not power growth

2019-01-12 03:19:55 UTC  

Or any series/episode where the MC has to deal with the consequences of his own destructive power, and how easy it is for him to accidentally obliterate others

2019-01-12 03:20:05 UTC  

What about inuyasha? Kagome is a needy skank. Lol

2019-01-12 03:20:07 UTC  

Villains have those arcs too. It's neat

2019-01-12 03:20:12 UTC  

I didn't watch it

2019-01-12 03:20:25 UTC  

Looked like boring weebshit and ran for too long

2019-01-12 03:20:52 UTC  

I kind of disagree @SteelandSouls. I can make many great stories that have no stakes what so every and make the story compelling. But it is true that art should follow a structure, but just because anyone doesn't like something that doesn't mean it fails at being art.

2019-01-12 03:21:12 UTC  

What's compelling about a conflict that isn't a struggle?

2019-01-12 03:21:20 UTC  

Even slice of life stories have a conflict

2019-01-12 03:21:36 UTC  

@Beemann There is not just One Way to make good stories... But there are a limited amount of ways to make them work well.

2019-01-12 03:21:54 UTC  

Right and the limits are that there needs to be some level of consequence

2019-01-12 03:22:01 UTC  

no

2019-01-12 03:22:03 UTC  

yes

2019-01-12 03:22:04 UTC  

There should be a Bad Thing that could actually happen

2019-01-12 03:22:13 UTC  

And a Good Thing that might happen that we root for

2019-01-12 03:22:19 UTC  

Arg. You guys.

2019-01-12 03:22:21 UTC  

These don't have to be 100% good and bad

2019-01-12 03:22:30 UTC  

stakes range from the end of the world to I forgot sugar for this cake.

2019-01-12 03:22:31 UTC  

Which is which can even be debatable

2019-01-12 03:22:47 UTC  

We enjoy stories with consequences the most, but that doesn't mean that's the only way to make a good story.

2019-01-12 03:23:23 UTC  

No I'd definitely disagree with that, but I'd invite you to come up with examples

2019-01-12 03:23:28 UTC  

The only way to tell a good story, yes it is. The only way to tell any story, no.

2019-01-12 03:24:44 UTC  

Good stories aren't even usually one singular conflict, but multiple conflicts that center around a theme, each with their own struggles and consequences

2019-01-12 03:25:17 UTC  

Now you're kind of digging into preferences

2019-01-12 03:25:20 UTC  

Even Naruto leans on this, they just fail in it wrt their OC. It's illusory

2019-01-12 03:26:36 UTC  

Not really. GTO is one large conflict (Onizuka wants to become the greatest teacher) and many smaller conflicts (students' personal problems, attempts at sabotage) that tie into the larger one