s

Well it was different in the past

If you don't want to see what is bad you can pay.

I remember that much

hey I've already stopped reading

I was just speaking for that comment a bit

Though I'll admit things change

Otherwise you will get 15 reviews a year.

I'd rather read Amerika

that sounds good!

15 reviews a year sounds good

If you pay

As the work to get you those reviews must still be done.

Everything is always changing

Metal will get deep again

I would pay if you can guarantee a DLA quality review of a DLA quality release

your end

For now it's just upholding a baseline

If you are willing to get 20 people to pay us 100 per person per year minimum, the DLA could be a zine.

But I'm not wholly invested tbh

100 in profit.

subscribe to DMU gold, Dan will suck your dick while singing napalm death songs

Ideally 100 people paying 100 a year.

Aye

@diversity_is_racism do you have the old Heidenlarm zines stored anywhere?

Which would be a zine of 150 pages or so on the best albums.

But the work would be the same.

The alternative views of classics was an interesting approach I suppose

Something new

But the actual complaints are about criticism of albums like storm of the lights bane

And coma of souls

Which weren't very influential.

Coma of Souls was just somewhere for Carcass to steal riffs from.

And licks.

They stole the choral rhythm of children of the lie for Heartwork the song

But that's about it.

Reek of Putrefaction vs From Enslavement...

Hypothetically, a pure psychopath gets captured and tortured by another psychopath; it is correct to say neither of them feel anything

Carcass feel something, they feel that people are animals.

And that conventional human morality was worthless as if you can't kill and eat people, then why can you kill and eat animals?

And they at one point legitimately believed this being anti hunting activists