Another revision of the first movement of my four movement Sinfonietta for Strings https://www.youtube.com/watch?v=gRUEND0-piA

The opening passage, which motivically serves as the basis for the rest of the piece, through development and coda, is rooted in the unusual C Lydian Dominant scale, which coincidentally matches the harmonic series https://upload.wikimedia.org/wikipedia/commons/2/25/Thirteenth_chord_C_lydian_dominant.png

She's not trans

She's just Aryan

Not much difference tho

no

https://www.youtube.com/watch?v=4ILjV8vUEAE

https://www.youtube.com/watch?v=-M-ckm7kgJk For all the traditionalists, for the monumentalists, music sublime and transcendent

?rank Monarchist

?rank Right

?rank Traditionalist

?rank Debate Pings

We don't have an arts / culture channel ...

So I'll just post this here, for now

https://www.youtube.com/watch?v=YEmvC619xpg

This, my "Chiaroscuri" for Piano Quintet, is a five movement work for chamber ensemble constructed in a cyclic and double-function form, with a chromatic harmonic language and approach to musical rhetoric influenced by Late Romanticism, Impressionism and Expressionism.

@Deleted User Yes

@Classy Hello!

This guy gets me

@Deleted User Among my chief influences are composers of great psychological intensity who remain controversial despite their brilliance -- Max Reger, Rued Langgaard, Havergal Brian, Ferruccio Busoni

Comes as no surprise

That my work would elicit a similar reaction

@Deleted User I appreciate your honesty

@Nicky Nutterball Probably true haha

I can take it

Here's some Reger https://www.youtube.com/watch?v=hASF2JAvt9Y @Deleted User

@Classy is a Langgaard fan, in fact he introduced me to Langgaard's work https://www.youtube.com/watch?v=kgwJnTZWfLI

@Deleted User Well, it's not chaotic at all, my work is very rule-bound, very much constrained by form, virtually everything derives from a handful of melodies and motives which are developed throughout. The "chaos" you hear is my highly chromatic harmony bordering on atonality along with asymmetrical phrasing

*I misread, lol*

Yeah, it's normal to prefer symmetrical phrasing, music that unfurls like verse rather than prose

For my purposes, I prefer the labyrinthine and Gothic

@Classy's work tends to be far more advanced than my own in harmony and perhaps in orchestration, that's all I'll say