Message from @fallot
Discord ID: 300636675636461568
Oh, sorry.
why do you say this is the only way this could be palatable to a metal crowd
well, it's music, it has melody
real rather than faux
Australian, so point against them
https://www.youtube.com/watch?v=JQkjbcNjog0
Can't precisely explain. Compared to other DNB there are certain "elements"
Australians seem to have a problem with making music better than a certain level
don't know why
I think it's less percussion-heavy, a different attention paid to vocals
lets see in the track you linked
vocals, percussion, such stuff is kind of surface level
vocals are likely to detract, aesthetically, to people who are generally into metal music
but we're all fringe in the metalhead realm too
@diversity_is_racism s stuff is considered a bad joke
but you're right @Mosely they do have a certain quality likely to attract people in here who are into metal
to some degree
they've got the musicality
OK good; I'm not crazy.
Vocals in a language you do not understand probably detract less.
like earlier heavy metal isn't easily differentiable from rock music in a sense
Judas Priest, Angel Witch kind of stuff
a lot of it carries the musical kernel in the vocals (verse/chorus) primarily
it's still good because of the actual quality/power of that kernel
the fact that the vocals carry it, or its in a certain arrangement
points towards certain things but itself is not primary
at the other extreme you have post-black metal electronic music
which has no vocals "progressive" structure, arhythmic "ambient" melodies etc.
and there is a wide variety in vocals from sung to shouted to screeched to Demilich
I'm of the opinion that nearly everyone has access to the faculty of "properly" listening to music
but for most people this is stunted due to not being developed
in a way that innocent sense can give them an advantage
some people get into complicated music heavily without ever building that sense
and therefore start to think unimportant stuff is vitally important
musical technicalities, technicalities of song structure, certain aesthetics
as illustration, so-called 12-tone music
this isn't music at all, it's a certain abstraction applied to sound and presented in a musical context
you could call it an arbitrary sonic architecture