Message from @ҜҜҜỮØŘŦĦØŇ
Discord ID: 346079570350571521
i can believe it, as nazism is really just about the only remaining refuge of whites, as a race. Everywhere else, everyone must give way and submit to diversity (which is more or less code-speak for 'anti-white')
fallot what do you mean by "neoclassical"
I was specifically referring to stuff like Ildjarn-Nidhogg synth stuff, later Burzum, Beherit electronic albums etc.
Dungeon Synth also falls in this category
others would be Dead Can Dance, maybe some Kraftwerk
diamanda Galas
no
that's just gothic aesthetic shouting
haha
I think I'd rather prefer the term "neoclassical" for that kind of stuff @fallot
I like a track or two
neoclassical as a term is good
but it would end up encompassing metal as well
by this usage
what I'm saying is we need to differentiate post-metal music
from the wider term neoclassical
I think it ends up erasing the contribution of riff language to the basic elements of musicality of these acts
a lot of this synthwave stuff is post-metal too
what about middle period Ulver stuff like Shadows of the Sun and Perdition City
not heard it
really
not a sufficiently descriptive term though
I'm just trying to triangulate the term for my own understanding
im not disputing or anything
I understand
was referring to "Electronic"
actually
why don't I just link you his own words
sec
Zyklon those tweets are crazy. Rubio said something similarly slimey
he cast the net wide for this term
note that it is encompassing metal music
I jumped into the convo because i have had similar thoughts about a certain conversation or communication between the forward edges of some genres
including metal
go on
Britain is dead.
well for example the increasing similarities between some "electronic" music like Aphex Twin and modern "classical" or "art" music like Karlheinz Stockhausen
or Philip Glass