Message from @Walsp
Discord ID: 515046811291877376
So the nut would fall on the ground?
But if it is inside vs on?
ass
always
but thighs are better
HOT TAKE ALERT
Nice
@Real Spicy i cant get the gif for this since google fucking removed the feature to just copy gifs
Ffs google
Get yer shit together
i remember 3 years ago
you can just copy gifs
it would say copy gif now its just copy video address
and then it plays it 1 time
https://cdn.discordapp.com/attachments/407984239229796372/515046329202769921/corgi20russia20three.png
https://cdn.discordapp.com/attachments/407984239229796372/515046337679720460/e70b6ac12ea6ded9784d65f6cf92c7a6.png
https://cdn.discordapp.com/attachments/407984239229796372/515046383628058624/v3QgK.png
https://cdn.discordapp.com/attachments/407984239229796372/515046424317001728/EKBXSfI.png
This proves gravity does not exist
i have a video for you
Yeah, I have seen this video with these two mean boys here.
its fucking haleriouse that dogs are litterally yelling fuck you at each other without hurting each other
In one of the follow up videos the just calmly hang out, then there is the third neutral corgi.
hah
i have a yorkie
and he is starting to go blind
she throws tantrums by head banging up and down barking at me if i dont give her any scraps of chicken
Lol Corgi butt
DIANA
Christ, you brought half the William
Morris West Coast office with you.
I'm Diana Christenson, a racist lackey
of the imperialist ruling circles.
LAUREEN
I'm Laureen Hobbs, a bad-ass Commie
nigger.
DIANA
Sounds like the basis of a firm
friendship.
(to KOSSOFF)
We're going to need more chairs --
In b.g., meanwhile, SCHLESINGER is exchanging hellos
with the THREE WILLIAM MORRIS AGENTS and is being
introduced to the LAWYERS and looking at baby pictures
proffered to her by one of the agents. It's all jolly
as hell, a lot of chuckling and smiling --
SCHLESINGER
(in b.g.)
Anybody want coffee?
LENNIE
Black with Sucaryl --
KOSSOFF and a SECRETARY are hauling in chairs --
LAUREEN
(introducing to DIANA)
This is my lawyer, Sam Haywood,
and his associate, Robert Murphy --
Handshakes, nods, smiles, everybody begins to sit. The
SECRETARY goes around taking coffee orders
HAYWOOD
(an old union lawyer,
given to peroration)
Well, MS. Christenson, just what
the hell's this all about? Because
when a national television
network in the person of bubby
here --
(indicates HERRON)
-- comes to me and says he wants
to put the ongoing struggle of the
oppressed masses on prime-time
television, I have to regard this
askance --
More chairs are brought in. DIANA would answer HAYWOOD
but he booms along, beginning to hit his stride
HAYWOOD
I have to figure this as an
antithetical distraction. The
thesis here, if you follow me, is
that the capitalist state is in a
terminal condition now, and the
anti- thesis is the maturation of
the fascist state, and when the
correlative appendages of the
fascist state come and say to me
they want to give the revolution a
weekly hour of prime-time
television, I've got to figure this
is preventive co-optation, right? --
The necessary chairs are in by now, and everyone is
seated. The SECRETARY has gone off to fetch the coffee.
A sudden HUSH follows HAYWOOD's Hegelian instruction,
and DIANA would answer, but HAYWOOD is now center-stage,
into the full swell of rhetoric --
HAYWOOD
The ruling classes are running
scared, right? You turned the full
force of your cossack cops and
paramilitary organs of repression
against us. But now the slave masters
hear the rumble of revolution in their
ears. So you have no alternative but
to co-opt us. Put us on teevee and
pull our fangs. And we're supposed
to sell out, right? For your gang-
stergold? Well, we're not going to
sell out, baby! You can take your
fascist teevee and shove it right
up your paramilitary ass! I'm here
to tell you, we don't sell out! We
don't want your gold! We're not
going on your teevee!
A moment of HUSH, in which everybody digests this opening
statement.
DIANA
(sighs, mutters)
Oh, shit, Mr. Haywood, if you're not
interested in my offer, why the hell
did you bring two lawyers and three
agents from the William Morris office
along?
MURPHY
(Mr. Cool)
What Mr. Haywood was saying, Ms.
Christenson, was that our client,
Ms. Hobbs, wants it up front that
the political content of the show
has to be entirely in her control.
DIANA
She can have it. I don't give a
damn about the political content.
WALLIE
What kind of show'd you have in
mind, Diana?
DIANA
We're interested in doing a weekly
dramatic series based on the Ecumen-
ical Liberation Army, and I'll tell
you what the first show has to be --
a two-hour special on Mary Ann Gifford.
We open this two-hour special with
that bank rip-off footage, which is
terrific stuff, and then we tell
the story of how a rich young heiress
like Mary Ann Gifford becomes a
flaming revolutionary. Would you
people be interested in making such
a movie for us?
Everybody looks to LAUREEN HOBBS.
LAUREEN
The Ecumenical Liberation Army is
an ultra-left sect creating political
confusion with wildcat violence and
pseudo-insurrectionary acts, which
the Communist Party does not endorse.
The American masses are not yet ready
for open revolt. We would not want
to produce a television show cele-
brating historically deviational
terrorism.
DIANA
Even better. I see the story this
way. Poor little rich girl kid-
napped by ultra-left sect. She
falls in love with the leader of
the gang, converts to his irrespon-
sible violence. But then she meets
you, understands the true nature of
the ongoing people's struggle for
a better society, and, in an emotion-
drenched scene, she leaves her devia-
tional lover and dedicates herself to
you and the historical inevitability
of the socialist state.
LAUREEN
(smiles)
That would be better, of course.